I ran across this website recently. The Big Myth is an educational site which seeks to inform students about mythologies across the globe. I’ve always been interested in mythology, ever since my mom would read African fables to me as a child. Myths and fables have traditionally served an important purpose within a culture. It is used to educate and, to some extent, indoctrinate the youth into the ways and expectations of a certain culture. Myths can also impart universal lessons that may be relevant to any culture. In fact when you look at different myths from different cultures you see that many of the lessons are the same. People do enjoy a striking similarity of values around the world.

A previous article in this magazine documents my exploration in bringing African fables to the digital age using motion graphics and animation. I was sure that I wasn’t the only one exploring this theme but have not run across many that approach the subject in a similar fashion. The Big Myth uses the same technology (Adobe Flash) but puts it into an educational framework including a teachers guide and forum. I also appreciate the fact that it includes five myths from Africa. I’m of the firm belief that African American youth would be well served by being exposed the unbridled imagination and time tested values that ancient mythology can provide, in contrast to the kind of gritty, “keepin’ it real” urban mythology that they are currently inundated with.

The Big Myth is funded by grants from the Socrates Fund of the European Commission, the Dutch Ministry of Education, Culture and Sciences and Kennisnet. It includes animation, sound effects, music and narration.

Click here to experience The Big Myth.

Marquise de Brinvilliers Marie-Madeleine-Marguerite d’Aubray, (1630 – July 17, 1676) was a French serial killer who poisoned her father, brother, and two sisters in order to inherit their property. She was assisted by her lover, Army Captain Godin de Sainte-Croix.

The following is an excerpt from a fictionalized account of her crimes, confession and punishment by the African Frankophone author, Alexandre Dumas, Pere. Here he tells of the “questioning” of the Marquise following her confession and sentencing. The use of the “water cure” is certainly used as a form of torture, as she has already confessed to her crimes before being tortured. By the way, this is the same author who wrote “The Three Musketeers” and “The Count of Monte Cristo.”

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